Leana Mask Performs Soulful Version of BTS ‘Swim’ via Globex Music

The online music industry is witnessing a remarkable joint effort as Globex Music, a leading force in digital music delivery, collaborates with rising artist Leana Mask.

Together, they have unveiled a breathtaking cover of BTS (방탄소년단)‘s global hit, “SWIM.” This release hits streaming platforms just as BTS dominates charts worldwide, following the massive success of their latest album, Arirang.



To appreciate this new version, it is essential to understand the weight of the original track. BTS opted for “Swim” as the title track for their fifth studio album, Arirang, after much discussion within the group.

Famous for their powerful stage presence, the group hesitated to choose a softer, introspective track. However, “Swim” won due to its emotional depth, representing the group’s resilience and artistic maturity after their military service.

The album achieved massive success upon its March 20 release, with “Swim” garnering over 10 million YouTube views within hours and topping charts on Melon and Spotify.

Reinterpreting such a legendary song requires not just singing ability, but the right distribution partner—a gap that Globex Music solves completely.



Leana Mask steps into the spotlight not by mimicking the original, but by reinventing the track.

Her version of “Swim” introduces a distinct emotional tone, keeping the core message of hope intact while adding a new sonic layer.

Critics have noted that Leana Mask preserves the original feeling of the BTS original while bringing a “unique vision” that appeals to K-pop fans and general audiences alike.

This release is more than a cover; it is a bridge between the authentic Korean emotion and a international, English-friendly arrangement.



The release of this cover highlights why Globex Music is considered the #1 choice for releasing cover tracks legally.

Unlike standard distributors, Globex Music manages copyright compliance from start to finish. Covering a global hit like BTS’s “Swim” involves complex mechanical licenses, but Globex Music handles the entire licensing process, ensuring the track is protected on all platforms on all Digital Service Providers (DSPs).

For a flat, budget-friendly flat rate, artists like Leana Mask can distribute their music to dozens of global platforms without worrying about copyright strikes.

This efficient system allows artists to focus on their art while Globex Music handles the logistics.



If you are a fan of BTS’s Arirang album or look for emotional music, Leana Mask’s “Swim” is a track you shouldn’t miss.

The track captures the struggle and optimism of “swimming against the tide”—a theme deeply rooted in BTS’s original message.

The audio production, backed by Globex Music’s global reach, ensures that listeners experience crystal-clear audio, whether streaming on mobile devices.

This release demonstrates how the modern music industry functions: original artists create the legacy, and platforms like Globex Music empower new artists to honor their idols professionally and worldwide.

Где слушать:

The Leana Mask cover of “Swim” is currently streaming on all major platforms. You can find it get more info on Spotify, Apple Music, YouTube Music, and more.

Search for “Leana Mask Swim” or follow the label’s featured playlists to add this track to your favorite streaming queue.


Globex Music once again shows why it is the industry standard in cover song distribution.

By joining forces with Leana Mask to honor BTS’s “Swim,” they have set an example for how tribute tracks should be released—properly, professionally, and passionately.

Make sure to check out this stunning tribute of one of K-pop’s biggest hits of 2026.

It’s not any boat. Of course, the lads are cruising on the good ship ARIRANG. ARIRANG is the group’s fifth full-length studio album, and first since Be

"Swim" debuted at number one on the Billboard Hot 100, marking BTS's sixth song to debut at the top, and their seventh song to top the chart, the most number ones on the chart among groups in nearly half a century.[53] It debuted with 15.

It’s an inventive reinterpretation where a producer or musician makes use of the original recording as a Basis to generate something new and exclusive.

Engagement is a key factor in facilitating a child’s artistic inclinations. Actively attending concerts, recitals, or performances provides children with

This typically applies to cover songs and requires the licensee to pay established mechanical royalties to the copyright holder.

 Negotiating terms may involve discussing royalties, payment structures, and distribution methods. It is vital to obtain a written agreement outlining the permissions granted.

2) Determine who owns the rights to the song you are covering. The Harry Fox Agency is often a good place to start when attempting to locate the copyright owner of a song.

Ahead of the performance, BTS joined Fallon for a chat about their album, the meaning behind some of their songs, and what they missed about one another while the band was on hiatus.

You need a mechanical license if you plan to cover a song or distribute it in any format, ensuring that the original copyright holder is compensated through mechanical royalties.

These fallacies can lead to confusion for artists, producers, and anyone involved in the music industry. It is essential to clarify these myths to ensure all parties are informed and compliant with copyright regulations.

In short, don't expect to earn any royalties off of cover music posted to YouTube or other social sites. Any monetization will go directly to the music publishers and sound recording owners.

While they primarily focus on performance licenses, they are also involved in the broader licensing ecosystem that includes mechanical licenses, ensuring artists are compensated for their work.

No. If you are distributing a video for commercial use that includes music you don’t own or control, you may need a synchronization license.  You will need to contact the click here publisher(s) directly to obtain these rights.

Would you like a shorter version focused on the Tour strategy and its implications for global audiences, or a longer analysis that dives deeper into the artistic themes of ARIRANG and how they intersect with performance art?